OFFRANDE IS A PRACTICE. A CAREFUL DOCUMENTATION, SO THAT WHAT IS MADE MAY BE HELD AS RELICS OF TODAY.
THE GESTURES, THE VISIONS, THE HAND WORKING THROUGH MATERIAL. SO MUCH OF IT IS LOST IN THE TELLING. THIS PRACTICE ARCHIVES THAT LOST HALF. THE STORY OF HOW A WORK CAME TO BE IS PART OF ITS PROOF OF ORIGIN.
THE DISCIPLINES WE WORK IN ARE SLOWLY ERASING. WE CONTINUE THEM NOT AS NOSTALGIA, BUT AS UNFINISHED WORK, REFINING OLD TECHNIQUES AND INVENTING OUR OWN.
THROUGH THIS PROCESS, STUDIES GATHER INTO BODIES OF WORK. SOME WORKS REMAIN SINGULAR. OTHERS CONTINUE THROUGH SMALL EDITIONS.
WE SCULPT OUR VISIONS INTO RELIEF, THEN MEMORIALIZE THEM IN HEAVY CAST GLASS, A TRANSLUCENT MASS THAT HOLDS MOTION, LIGHT, AND COLOR THE WAY MEMORY HOLDS A DREAM.
THE JOURNAL RECORDS THE CHRONOLOGY OF THE PRACTICE. THE STUDIES, MOLDS, TESTS, MISFIRES, AND DECISIONS THAT PRECEDE THE FINISHED WORK.
THE GESTURES, THE VISIONS, THE HAND WORKING THROUGH MATERIAL. SO MUCH OF IT IS LOST IN THE TELLING. THIS PRACTICE ARCHIVES THAT LOST HALF. THE STORY OF HOW A WORK CAME TO BE IS PART OF ITS PROOF OF ORIGIN.
THE DISCIPLINES WE WORK IN ARE SLOWLY ERASING. WE CONTINUE THEM NOT AS NOSTALGIA, BUT AS UNFINISHED WORK, REFINING OLD TECHNIQUES AND INVENTING OUR OWN.
THROUGH THIS PROCESS, STUDIES GATHER INTO BODIES OF WORK. SOME WORKS REMAIN SINGULAR. OTHERS CONTINUE THROUGH SMALL EDITIONS.
WE SCULPT OUR VISIONS INTO RELIEF, THEN MEMORIALIZE THEM IN HEAVY CAST GLASS, A TRANSLUCENT MASS THAT HOLDS MOTION, LIGHT, AND COLOR THE WAY MEMORY HOLDS A DREAM.
THE JOURNAL RECORDS THE CHRONOLOGY OF THE PRACTICE. THE STUDIES, MOLDS, TESTS, MISFIRES, AND DECISIONS THAT PRECEDE THE FINISHED WORK.
IF YOU HAVE FOUND YOUR WAY HERE, WE WOULD RATHER THE WORK MEET YOU FOR THE FIRST TIME, UNSPOILED.